Waltz etcetera: about half waltzes, half a mix of swing, blues, cha-cha, foxtrot, salsa etc

On this page:

What's it like at Waltz etcetera?

  • Our dances reflect our philosophy:
    • Make your partner's happiness more important than your own
    • Dance with kindness, generosity, and profound mutual respect
    • Focus more on how the dancing feels than how it looks
  • Over the years, we've developed a loyal following of people who resonate with those ideas.

 Monday lesson & dance

 Thursday alternative workshop & practica

 Sunday alternative lesson & tea dance

 Other practical details, for all events

 Creative collaboration: Partner dance that's deeper, richer, more connected

In all our classes - but especially on Thursdays & Sundays - we encourage students who feel ready for it to go deeper with familiar dances by stepping just a bit outside traditional gender-based lead & follow roles. The most evolved form of partner dancing is creative collaboration, where lead & follow are no longer roles people get slotted into, but ways of communicating that both partners use freely and fluidly. It's utterly delicious, the most exquisite form of partner dancing imaginable. However:

You have to be able to dance either part to do that, and we encourage all dance students to learn at least the basics of the other part, by taking ordinary intro-level courses in the other role. Don't bother with a role-reversal workshop; learning the other part takes the same kind of patient and persistent work that learning your regular part did, and a one-shot workshop won't help with that. Regular ongoing classes in the basics of your favorite dance are a better use of your time & money. You might consider taking a class in reversed roles with a partner you're comfortable dancing with, if you feel shy about dancing with others of the same gender.

Full-on creative collaboration is pretty advanced dancing, but we've developed a 4-stage process any dancer can use to gently and organically evolve in that direction, starting from ordinary lead/follow partner dancing:

  1. Simply changing hand/arm positions back & forth while keeping a basic move going. This lets you get used to how it feels to be on the other side of the dance embrace, without the expectation that you would dance the other role until you feel ready. If you don't feel ready, you can simply switch back to your familiar side of the embrace on the next measure.
  2. Switching roles when you switch arm positions: whoever is on the lead side of the embrace is leading. This is as far as "role reversal" typically goes; we consider it a preliminary stage.
  3. Lead from the follow position, follow from the lead position; trade roles without rearranging your arms. One way to start is to use a signal, like raising your eyebrows or simply saying "OK, your turn..." This is the crucial step between lead/follow and creative collaboration.
  4. Both of you use the lead and follow principles freely, dancing together without there having to be assigned roles. Absolutely ecstatic, no other kind of dancing even comes close.

In our Thursday workshops and Sunday classes we offer coaching and exercises to students who are interested in moving through these stages. Other dancers take these classes as ordinary lead/follow partner dance classes; working toward creative collaboration is always at the student's discretion. Newcomers to our classes sometimes don't ever realize that other dancers in the class are doing something different.